Sexuality Essay. The film “Casablanca” Essay Example for Free

Sexuality Essay. The film Casablanca EssaySexualityIntroduction The film Casablanca is a 1942 carrier bag that is close to the top ten films that have tasted the times. Its fabrication and filming was carried out in accordance with the design codes of pictures. It intertwines the political temperature during the Nazism times and the fight between two men for one beautiful woman. The report is constructed around grammatical gender upholding women as objects that ar the c assume of attention for neurotic satisfaction of men through and through ownership (Curtiz et al. , 2000). At the beginning of the film, the first introductory scene is reign by a slow-spinning musket ball and a zoom-in taw technique is used to reflect on the Western Europe. A voice all over is heard explaining the turbulent takeover of continent Europe by Nazis, the increasing flow of political refugees fleeing Hitlers persecution, and the imminent Second War of the World. The only hope for the fleeing masses was Lisbon except for one to enter Lisbon, he or she had to possess the relevant entrys (Curtiz et al., 2000). At this point, the producer applies the production codes by not wake the details of the required papers to safeguard the secrecy of the information pertaining to the documents. It is in the light of possession of these documents that the disceptation of two men, namely Laszio and Rick, that the topic of sexuality is developed. The camera quickly fades and zooms-in giving rise to a refreshing scene at the evening in a caf. The place is full of all types of clients from Italians, French, Germans and refugees eyeing to flee to join States. In a dimly lighted camera, Ugarte presented as a crook creeps in and becomes proud of how he got transit letters from two German dispatch riders subsequently murdering them. Urgartes strategy was to flock the correspondence that night at the club (Curtiz et al., 2000). At this point, the producer of the film applies the produ ction codes by not showing how Ugarte killed the two German messengers. In terms of sexuality, the film so far seems to be dominated by masculine characters. The formulation of effeminate essence is yet to be integrated in the salient screen. At this point, the male super function as the controller of things is dominant. This may have been attributed to the male facial expression of the female figure as a means to attain self satisfaction and then should assume the overcome position (Curtiz et al., 2000). The scene continues with the petty crook Ugarte be arrested by the neighborhood police under the directions of captain Renault (Curtiz et al., 2000). He passes away when in detention without disclosing that he assigned the correspondences in his possession to Rick. The details for the final stage of Ugarte are not disclosed by the producer but rather, he precisely mentions about the death. This is conformance to the production codes on the disclosure of details pertain ing to death of a human being. The male dominance continues to be seen in this seen when no woman has come in to influence the occurrence of events. Immediately after entry of Ugartes death, Lisa a lovely woman of Norwegian origins comes in and everything changes. She was ones Ricks lover who leave him on the knowledge that his hus solidification professional, allegedly killed in war, was alive and had gone in hiding (Curtiz et al., 2000). She thus remaining over(p) Rick to take care of her ailing husband wounded in war. At this spot, a woman seems to be the midpoint of interest. Everything in the film focuses on the beautiful woman character Lisa after she enters. On her arrival in the caf, she begs Sam, the pianist of the house and a hero of Ricks, to play for her the vocal As Time Goes By. At this point, the power of a female is revealed when Sam does according to Lisas wish. She smiles at him thus yielding a compelling power which makes Sam act against the wish of his frie nd Rick. Since Rick had prohibited him from playing the song, he storms over to Sam angrily that he has violated his directions never to present the song (Curtiz et al., 2000). His anger cools down when he spots Lisa, who was accompanied by his husband victor to the Caf. Continually, the supremacy of a womans attractiveness is exposed at this point. Lisa seems to possess an innate power that compelled Rick to cool down despite him being too much angry with her because of disappearing without a warning. Lisa and her husband, who is a fugitive, are in need of the correspondences to help them flee to America to keep on working.When Victor learns from Ferrari, a Ricks business rival, that Rick in possession of the correspondences, he tries to talk him into interchange the letters to help him and his wife Lisa to flee safely (Curtiz et al., 2000). Again, the essence of a womans power as the center for attention is revealed when Rick refuses to sell the correspondences to Victor telling him to ask his wife the rationalness for not willing to sell to them. The reality is that Rick is aggrieved of Victor because he is the reason why Lisa left him. When Rick refused Victors offer, he started a war like sabotage by inciting the band to perform the song La Marseillaise. The band fails to perform when Rick disapproves them from playing it. Victor does not just stop, but he leads the lyric and the in attendance crowd joins in followed by everybody who is present. For a give back, Renault is ordered by Strasser to shut the club. This part presents a war of showing might among the two male characters constructed around the love for one woman. They are working towards out-shining each other on who is worth being with a woman (Curtiz et al., 2000). As presented in the film, a woman whose love for by the two men causes all these chaos is very attractive and charming. Her presence in the film stands for the erotic manipulation of a womans sexuality to men. Though not too muc h presented, the minimum times she appears in the scenes of the film makes all the change. There emanates anarchy where tranquility persisted. Friends turn into adversaries, and where there is compliance, insubordination shows up.After the people are evacuated from the club, Lisa confronts Rick on his refusal to give her the correspondences. She even goes to the extent of threatening him using a gun but in the process, she admits that she still loves him. At this point, a gun is used as a weapon that threatens a human beings life. Similarly, love is used as a weapon to win a mans heart and manipulate him into doing what a woman wants him to do. She also explains the reason why she left him uninformed (Curtiz et al., 2000). Immediately, Ricks anger disappears, and he agrees to help them flee (Curtiz et al., 2000). The camera is brought at a close range helping the audience to achieve a point of view of the long shot accompanied by a brilliant lighting that facilitates the zooming of Ricks and Lisas faces to fill the screen. At this moment, one feels the control that Lisa has over Rick because of the love he has for him. The producer applies the production codes by interrupting their fondling intentions through the intrusion of Victor into the scene (Curtiz et al., 2000).Conclusion In conclusion, the big screen has incessantly shown the sexuality of a female as a controlling means of a man. The producer has eminently shown this aspect in the two scenes discussed above and at the same time applying the expected codes of production. The historical concept of the construction of sexuality seems to have played a significant role in presenting a woman as the center for attention by a man.ReferencesCurtiz, M., Epstein, J. J., Epstein, P. G., Koch, H., Bogart, H., Bergman, I., Henreid, P. Warner Home Video (Firm). (2000). Casablanca. Burbank, CA Warner Home Video.Source document